"The Beautiful South" trade tasting was held this past week in London, featuring hundreds of producers from three countries of the Southern Hemisphere: South Africa, Chile, and Argentina. Wines of South Africa (WOSA) generously paid for three Master Sommeliers and 16 other members of the Guild of Sommeliers to travel to London for the event. We asked for a full report from the three Masters and comments from all Guild members in attendance. Following are some overall impressions on current trends in the Southern Hemisphere, and snapshots of some favorite producers and tasting notes from South Africa. Tasting notes on Chile and Argentina will follow later in the week.
Southern Hemisphere Observations
Pyrazine: Chile has, for better or worse, managed to completely ripen pyrazines out of their wines. For some this may come as a relief that the days of leafy Carmenere might be behind us, but for others this means a reduction in not only typicity, but authenticity. And I am not talking about a reduction in pyrazines, which might be an acceptable balance, but rather an entire obliteration. And it does not stop with Carmenere, but also includes Cabernet Sauvignon, Cabernet Franc, Merlot and Malbec (we will get to that in a moment). While this may seem desirable to some, I am left with a feeling of sameness and placelessness all at the same time. Why plant Cabernet Franc if you don’t want pyrazine character? Christopher Bates MS
Chilean Malbec? Partly as a result of Argentina’s immense success with Malbec, Chile was tempted to hop on the bandwagon, and began planting Malbec. Now with a number of 6- to 8-year-old Malbec vineyards coming on line in Chile, we are beginning to see a range of Chilean Malbecs entering the market to compete with Argentina. But as Argentina struggles with its association with one varietal, it is worth asking: is it a good idea to try to compete in a nearly saturated market against the well established brand of Argentinian Malbec? -Christopher Bates MS
Acid and Sugar (Truth in Labeling?): One of the truly amazing aspects of this tasting was that every wine was listed with its residual sugar, total acidity and finished alcohol levels - possibly a condition of doing business on the English market. I was really surprised at the number of wines that were listed with a minimum of 14% alcohol, over 3 g/l of residual sugar and anywhere from 5% to 8% acidity. This showed up across the board with all 3 countries offering many wines of this type. Many of the wines had a vibrant attack on the palate that accentuated a juicy fruit quality. Good or Bad? Really neither, but I left my last day of tasting wishing I had tasted drier wines that had less acidification. Many of my top wines came from the small group that were on the drier side. -Eric Entrikin MS
Is there such a thing as terroir in South Africa, Argentina and Chile: Yes! (But it comes with a disclaimer): In many regions the idea of terroir has firmly taken hold but there are still too many wines that were just crowd-pleasing fruit bombs. In an effort to achieve some semblance of terroir many producers will have to ask themselves if they are willing to lower yields and limit oak usage to produce wines truly reflective of their regions. Thankfully many producers seem to be making this transition as the number of wines displaying terroir-driven character was much higher than I have seen in the past. -Eric Entrikin MS
Cool Climate Focus... Chile and South Africa are making this a big focus of their winemaking style, and are really exploring the limits of viticulture in their respective countries. Overall this has been a boon to their quality and development of typicity, as the elegance of the wines is really starting to show in their home turf. In some cases the vineyard sites are maybe too cool, as I noticed in quite a few Sauvignon Blancs, which had a tendency to be just too lean and hollow. -Chris Tanghe MS
...And Climate Change: The current global mean temperature is 15.5° Celsius (59.9°F). It will continue to rise due to trapped greenhouse gases; the critical threshold will be 18° (64°F). Upon reaching that, we will experience an extremely unstable climate. Despite this bad news, temperature change has been less dramatic in the Southern Hemisphere because 90% of it is water, and the land temperature is moderated by the oceans and cold marine currents (Benguela and Humboldt) which come up from Antarctica. So while most of the world’s wine regions are in peril with rising temperatures, we still have the Southern hemisphere to keep us supplied with wine. -Jill Zimorski
Divergent styles of wine: The first sign that not perhaps everyone is using the exact same playbook, and maybe for the better! Cookie-cutter winemaking may be good for a staid commercial market but when was the last time that was a good idea? The level of experimentation in the Southern Hemisphere seems to be very much alive and growing by leaps and bounds. The unbridled desire to make a wine for every market has led to some interesting creations. Truly stunning examples of sparkling wines, a sweet variation of Pinotage deemed "Coffee Pinotage" (referred to as chocolate/cherry about two years ago) and Bordeaux blends that seemed more Bordeaux-like than many of the wines from that venerable French region were just a few of the varied styles of wine that were seen at the Beautiful South tasting. -Eric Entrikin MS
Ripeness: There needs to be more braking applied to over-ripeness. It’s noticeably a problem in Argentina where I was hard pressed to find any red wine under 14%. I am not a low-alcohol fanatic: there are wines that can handle themselves gracefully at 15%, but Malbec just isn’t one of those wines, for me anyway. Fruit is raisinated and oxidized as a result and the finish is dominated by booze. One sip and I’m done - not to mention the hundreds of other such wines to work through at a massive tasting. There are some great wines made here without a doubt but the overall impression was a need to tone it down. There are producers that are doing a great job and scaling back, South Africa as a whole has made leaps and bounds in the last 5 years. I was very, very impressed with the restraint and elegance of even the warmer WOs. Chile is also getting there but has yet to really figure it out with the exception of the well established houses. It was eye opening to walk from South Africa table to table and be consistently impressed with overall quality. -Chris Tanghe MS
It’s All About Wood: It seems to be par for the course that in the modern evolution of every wine region there comes the craze for oak. Argentina is in the heat of it now. It is common to see producers offering a range of Malbec (sometimes other varietals as well), each distinguished simply by its exposure and use of wood. To quote one producer: “It's all the same wine, but with different amounts of wood chips”. I could not make that up. Certainly, this will quickly go away, and in no time these lines will be divided by truly unique and noticeable differences in the base wines (terroir) with wood use appropriate to the wine, as opposed to the other way around. -Christopher Bates MS
Availability: Many of the South African wines aren't available in the U.S. Some owners expressed frustration with our jumble of laws, and others said they've been burned by their importer and/or distributors. I believe that there's a lot of potential for organized, ethical U.S. importers to do more business with South African wines. -Rob Van Leer
Pinotage: My first surprise occurred when one of our winemakers (at a producers' dinner) poured me a glass of Pinotage, that tasted, well, remarkably un-Pinotage like. I asked Louis Boutinot (Export Manager for Waterkloof wines) what was happening in my glass. There was none of the iodine or burnt-rubber characteristic that (sadly?) we have come to expect from this grape. My question prompted a tremendously informative exchange, and what I came to discover is that all the nasty that we have come to associate with the grape is due to excessively high yields, from young vines and from wines that haven’t been vinified correctly. The consensus (among South African wine professionals at my dinner table) is that unfortunately, even with Old Vines and controlled yields, Pinotage needs a lot of manipulation (particularly micro-oxygenation) to taste, in their words, “decent.” Additionally, it is felt that Pinotage is best when élevage occurs in Hungarian or American Oak barrels, as it needs a touch of sweetness. So, typical Pinotage? Made poorly. “Correct” (but also heavy handed/interventionist) winemaking yields only a mediocre wine? Is the final product worth the process then? No one could really answer that, so to break the silence I told the South Africans at my table that I grew up on the east coast and there are some wineries in Virginia that are growing & producing Pinotage. That news went over like a lead balloon…and their response was the same as mine: "Why?" -Jill Zimorski
South African Label Lingo: courtesy of Jill Zimorski
Tasting Notes: Eric Entrikin MS
Old Vines: Of the themed tables for tasting the most interesting to me were the Old Vine wines. The Old Vines provided a glimpse into what these regions can do with lower yields. Unless the wines were overdone there was a true sense of terroir in many of these wines. Old vines in South Africa favored the white varieties!
Although I tasted many very good to excellent Cap Classique sparklers from South Africa (mentioned below), a special note of mention for one Argentine Sparkling wine that I had the pleasure of tasting at the winery 2 years ago and also at the Beautiful South tasting.
Wineries that impressed me across their entire line:
De Wetshof in the Robertson Valley is run by Danie de Wet and his two sons, Peter and Johann. The estate has been producing wine for 150 years. The southernmost part of Robertson Valley is only 90 km from Cape Agulhas, and it receives a convection effect of constant air flow. During summer this is mostly an onshore flow bringing the cooling influence of the ocean. This allows De Wetshof to be a Chardonnay specialist. The moderate temperatures and abundance of limestone, gravel and clay soils gives them some excellent fruit. Along with an excellent Cap Classique Brut NV, made from 70% Chardonnay and 30% Pinot Noir (all in the current bottling from the 2007 vintage with four years on lees), there are several Chardonnays in the line up and only the unoaked version did not get top marks. Two Chardonnays really stood out: the Lesca 2012 spent 10 months in oak (1/3 new) and showed great balance between fruit and acid with a yeasty undertone, and the Site 2012, in new oak for 12 months, displayed a roasted hazelnut, lemon balm and crisp apple character while still maintaining a great degree of elegance on the palate.
Crystallum in Walker Bay pulls fruit from many regions and had a terrific lineup of wines focusing on Chardonnay and Pinot Noir. The Cuvee Cinema Pinot Noir 2012 (Hemel-en-Aarde Ridge) was a favorite for its savory fruit character, length and texture. The Clay Shales Chardonnay 2012 (Overberg) had lingering texture and length.
Gabrielskloof in Bot River on the Western Cape produced a range of some of the driest wines I saw at the entire tasting. My favorites were the Magdalena 2010, a blend of 50% Sauvignon Blanc and 50% Semillon, that displayed fennel, wax, green pepper and honey notes with a long finish that just sat on the palate. The Blend 2010 from 36% Cabernet Franc, 25% Cabernet Sauvignon, 20% Merlot, 20% Malbec and 7% Petit Verdot was made in a true Bordeaux model with cassis, black cherry, raspberry, tobacco and cedar aromatics. There were some large-framed tannins on the finish that gave the wine a structured nature that will require some more age.
Some standout wines:
Tasting Notes: Chris Tanghe MS
Age-ability: Ronan Sayburn MS presented a great seminar on the aging potential of these wines that was fantastic and impressive. As sommeliers we often don’t give enough credit to these regions for their longevity. Some highlights were:
Highlights in South Africa:
Crystallum: A third-generation winemaking family in Walker Bay, they produce primarily Chardonnay & Pinot Noir but in recent vintages have a new bottling of Syrah/Mourvèdre from Swartland, which was excellent. They are moving towards natural yeasts and are playing with more whole cluster fermentations. Oak usage is quite moderate and in all the wines it was very well intergrated.
Radford Dale is one of the labels of the Winery of Good Hope group based in Stellenbosch. They make wines from several WOs and singlehandedly changed my impression of Pinotage, as their bottling was completely devoid of that burnt rubber chemical smell. None of the wines surpass 13.5% abv!
Cederberg, located in the Cederberg mountain preserve, just east of Citrusdal, has some of the highest vineyards in South Africa. The property has been a farm since the late 1800s and it’s first vintage was 1977 Cabernet. Extremely isolated, it’s about 3+ hours from Cape Town.
Tasting Notes: Christopher Bates MS
Highlights in South Africa: This is where it gets exciting. As recently as 2011, I would have never thought I would be saying this, but narrowing down my list to only a few wines from South Africa was nearly impossible. These are some of the most exciting, compelling wines I have tasted recently, and I believe them to be only the tip of the iceberg.
Newton-Johnson: A relative newcomer located in the Upper Hemel-en-Aarde Valley, the modern winery is built to allow for gentle handling. With a focus on Pinot Noir and Chardonnay, this winery is quickly showing a deft hand at incredibly detailed and delicate wines.
Mullineux: Along with peers like Adi Badenhorst and Eben Sadie, Mullineux is a major force in what is being termed the “Swartland Revolution.” With reclaimed, old dry-farmed vineyards on a variety of soils, this young couple turns out truly world-class Chenin-based whites and Syrah-based reds. All natural (spontaneous) ferments.
Alheit Vineyards: A young couple is behind this winery, producing white wines exclusively. Their major focus is on the vineyards, and the exceptional old, dry-farmed bush vines that South Africa sports.
Springfield: A small, family run estate in the Robertson Valley whose wines are built in a rather restrained style for the area. With vineyards full of rocks and a noticeably old fashioned attitude to wine making, it is no wonder these wines show an incredible ability to age. I have been in love with these wines for years, and this tasting only emphasized why.
Other Highlights: Kanonkop (Bordeaux varietals and Pinotage), Meerlust (Bordeaux varietals), Buitenwerwachting (Sauvignon Blanc), Cederberg (all).
Jill Z, I love you for the Mean Girls reference (and countless others...)
This was quite an educational experience in many levels! The London trip gave our group the best opportunity for a comprehensive tasting of South African, Argentine, and Chilean wines short of going to the countries themselves. In this post, I will focus my comments to the South African tasting experience and my thoughts on the winemaking future of WOSA members. Yet, if this was a truly Southern Hemisphere tasting, what happened to Australia and New Zealand?
I must say that I was pleasantly surprised by the quality of the wines coming from South Africa. The talent in winemaking and the focus on enhancing the quality and typicity of the wines was evident across the board. In the two days that I spent tasting, I stopped by 40 South African producers (tables) and can honestly say that I enjoyed the wines of 36 of them. To echo Chris Tanghe MS comments, South Africa's cool climate Chenin Blancs and Sauvignon Blancs are absolutely delicious. They exhibited freshness and targeted fruit flavours with structure and balance that will appeal to all readers of this forum. I particularly enjoyed samples from Mullineaux (a Chenin Blanc and Clairette blend with some oak treatment) as well as Ken Forrester's and AA Bradenhorst "Secatur's" Chenin Blancs. Regionally speaking, of particular interest were the Pinot Noirs and white wine offerings coming from the Hemel-en-Aarde ward; good things are happening in that narrow appellation north of Walker Bay. As mentioned previously by others, Crystallum's "Cuvee Cinema" Pinot Noir was also one of my Pinots from South Africa.
The most surprising to me was the much-improved taste (or state) of the Pinotage wines that I tasted. I can tell you that when I tasted Radford Dale's "Frankestein" 2012 and Ken Forrester's Pinotage 2012, my opinion of that varietal was changed. The wines were vibrant, flavorful, and structurally sound, without the off-putting notes and aromas typically associated with Pinotage (burnt rubber, gaminess, etc.). I asked the winemakers if there was a concerned effort/reason for this positive turn and they mentioned that use of older vines, lower yields, cooler climate sourcing and meticulous (read cleaner) winemaking were some of the reasons for the improvements in Pinotage production. Yet, will this affect the "typicity" that we associate to Pinotage? Perhaps; but in this instance, it is much welcomed! I also tasted several Pinotage-based roses that were absolutely delicious and will include the names of the wineries in question on a separate post.
I also enjoyed a number of sparkling wines (Cap Classique) coming from regions such as Walker Bay (Graham Beck), Robertson (De Westhof), and Constantia (of Vin de Constance fame). The quality-to-price ration of these sparklers was excellent across the board. I also enjoyed the Bordeaux blend offerings from several wineries, but deemed Cederberg's Cabernet Sauvignon (high altitude vineyards) one of my favorites (tasted it during one of our dinners and found it the perfect pairing for the braised lamb). Last but not the least, dessert (sweet) wines...Mulderbosch "Noble" LH Sauvignon Blanc 2009 was awesome! It exhibited intense aromas of ripe peach, orange marmalade, apricot and bees wax, with sound structure and balanced acidity. Klein Constantia's "Vin de Constance" 2007 was equally delicious with ripe tropical flavours, citrus, ginger, and slight nutty notes. Truly amazing!
Finally, let's talk about London...historical, cosmopolitan, clean, wet, culturally diverse, and extremely expensive. The weather was terrible that week (rainy and cold), but again, it was London. The 'Underground" system is the way to get around. I have never been to a city with a cleaner, easier-to-navigate, and timely commute rail system! At 7 pounds per day, it was the deal of the week! Be advised, London is a very expensive city to visit, so do not take a cab unless you have money to burn. I made it a point to travel to London a couple of days early to catch the "must-see" attractions; Buckingham Palace, Tower Bridge, British Museum, Picadilly Circus, Abbey Road, etc. We used the Underground to get to all of them. Most historical stops such as Churchill's Underground Bunker or Westminster's Abbey will set you back $25 to $30 per person; ouch!!! The British Museum is free, but the special exhibits are not. My fellow South Florida Somm buddy Christopher Visser and I visited several wine shops in the city and found the wines pricey. We agreed that we could get almost all the wines that we saw cheaper or about the same price here in the USA. Most surprising was the fact that we could buy Scotch cheaper here in Florida that in London!
Nevertheless, the trip was great and the opportunity to learn and meet new friends priceless. I truly recommend it to all. Next post...Argentina and Chile.
Fantastic summaries, everybody! Incredibly informative and thorough. Wish that there were more highlights like these for some of the other Guild trips.
After a couple of days to meander about the UK, including a whiskey tasting at Berry Brothers & Rudd and a stroll of Windsor's long-walk (complete with soaking rain and Cuban cigar) I was ready to do some serious tasting. First stop, Cap Classique from Graham Beck Winery. In addition to their significant philanthropic endeavors, they make some damn fine bubbly, some aged en tirage in excess of 22 months and all composed of Chardonnay and Pinot noir. A lovely, dry rosé of Touriga Franca from The Drift Estate came next. From there I stumbled across the great Crystallum wines mentioned earlier and then I endeavored to find some serviceable Riesling. After searching through what felt like thousands of wines I came to Jordan (marketed in the US as Jardin) and they offered a delightful, buoyant Riesling. All peaches and lime zest with zippy acidity and a perceptible and well-managed level of residual sugar. Also delicious was Paul Cluver's Elgin Riesling. Like the Jordan, it was bouncy and wonderfully balanced. And while lingering over the exceptionally-dense wines of Springfield Estate I had the exceptional pleasure of chatting (ever so briefly) with Jancis Robinson. This was a wonderful and singular experience, allowing a great opportunity to taste wines I had never heard of or seen. What I was left with over the course of our days in London was that South Africa (and to a certain extent, Chile) is grappling for a way to express its true identity, and to find the balance between honoring what they perceive as their winemaking traditions and the need for a successful international presence. As previously noted, a number of producers seem to be eschewing a sense of place and cohesive terroir in favor of ripeness and palate impression. Either way, this was an eye-opening trip and I can't help but be excited about seeing where the wines from these regions go.
This was an eye opening experience across the board. Here is why...
"Hot Damn!" I said as I looked at my flight information from San Francisco to London. 12 hours of travel time, in a middle seat and the in-flight movie was the Great Gatsby (which I thought was a musical and I like those about as much as one would like Spicy Sashimi with Cabernet). "Whatever" I thought "Stop being a diva Josiah" after all this was a paid trip and I was about to go to London and taste some South American/African wines. I did not have a lot of time for the trip as I had to get back to work so I knew I had to be crafty with my time. So as soon as I landed I took a cab to the hotel. We hit traffic and the cab driver smelled like Cab Franc and farts. I wish I had taken the train at that point but it was too late and now I was trapped in an expensive hotbox. I started thinking about the tasting. I have had a ton of South American/African and few had really impressed me. This was a journey that I predicted to be full of pre conceived validations rather than surprises. 75 pounds ($125.14) later I arrived at my hotel and needed to get to the tasting ASAP. I checked in and rushed to room to get fresh for the tasting. Upon getting ready I realized that I forgot toothpaste. “Uh-Oh. Looks like someone is gonna have stank breath” I thought. With no time to get toothpaste I knew that some huge fruit bombs were waiting for me and tasting those would be enough to cover up my nastiness. “All I have to do is check in, beeline for the first table I see and swish some juice in my mouth.” I arrived at the tasting, checked in while talking at a downward angle kinda like Rainman to hide my breath and rushed to the first table I saw. It was the “Up and coming producers” table. I quickly filled my glass with a wine I had never seen before; Crystallum Pinot Noir from South Africa. Just as I did that I saw Steven Spurrier on the other side of the table. He said “Hello” and because of the absence of Colgate in my life I simply nodded. “Nice work Josiah. Way to network” I thought. I then tasted the wine in my glass and that was when the universe started to change for the better. “SH!T” I said out loud. This wine is freaking delicious and it was not the fruit bomb I expected. I poured a taste of the next bottle. This one was the 2009 Meerlust Merlot. “DAMN” this one was really good too. Not too much ABV, a seamless balance of fruit/acid and you could actually taste some nuance. I was kinda pissed because my breath was not being covered up by the wines I expected but this was a beautiful moment. I spent the rest of the tasting being surprised by some real gems. For me South Africa represented to the fullest. The rest of the trip was absolutely phenomenal and the city of London is not too shabby either. This ended up being one of the best wine trips I had ever been on especially after I bought some toothpaste and brushed my teeth.